The nukes would be well within reach of the U.S. It was a move that put the United States into a panic. It was 1962 and the Soviets were deploying nuclear missiles to Cuba. Many would die from radiation poisoning in the weeks and months to come.Īrkhipov survived and was assigned to B-59. Everyone on board the sub was irradiated but the crew avoided a meltdown and brought the sub home. To avoid a nuclear meltdown, engineers crawled into the reactor and conducted makeshift repairs. While conducting exercises near Greenland, one of the subs reactor coolant systems began to leak. In 1961, he was assigned to K-19, one of Russia’s first nuclear powered submarines. It’s a juxtaposition often found in art about nuclear war.Īrkhipov was already a Soviet hero before he set foot on B-59. A slightly ridiculous medium to talk about something so terrifying. “My torpedo tipped with 10 kilotons of nuclear warheads,” vibrates countertenor Daniel Moody. “Chaos catapulting us from one moment to the next.” “What happens if we find ourselves caught in the crosshairs of calamity,” Ed Parks, playing Arkhipov, sings a resonant baritone in a trailer for the show. “Via arias that plumb the sailors’ interior lives,the opera investigates the physical and psychic claustrophobia of the underwater vessel and the ways its crew escapes the purgatory of the failing submarine-their belongings, their dreams and desires,” the description explained. An interrogation of his wife 40 years after the event serves as the framing device but the bulk of the action will take place in the submarine itself. It’s two acts long and will run approximately two hours, according to a description on its website.Īrkhipov is, appropriately, the show’s hero. Set to run October 21 and 22 at the Kirk Douglas Theater in Los Angeles, Arkhipov is a small-scale opera performed by 10 singers and 18 instruments.
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